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Listen to Swick & Lewis Cancut's, Tkay Maidza-featuring, 'Wishes'

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Ryan Hemsworth has been dropping free songs each week from his favourite new producers and now he's releasing a compilation. The first track of that compilation is an all Aussie-affair by Swick & Lewis Cancut featuring Adelaide rapper, Tkay Maidza. Wishes is a sunshine-filled, glitchy track that takes a PC Music route in the way of its unashamed kawaii quality. Maidza sounds like we've never heard her before with slightly manipulated vocals and a style that errs more towards singing than rapping. Hemsworth is becoming quite the tastemaker.

[soundcloud width="750" height="200"]https://soundcloud.com/shhsecretsongs/swick-lewis-cancut-wishes-ft-tkay-maidza[/soundcloud]

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The next Australian artists to make it overseas

 

aussieartistsYou only have to look at the overseas festival circuit to know that Australia is a musical hotspot. Glastonbury, Coachella, Primavera, Roskilde and more have seen Flume, The Preatures, Jagwar Ma, Courtney Barnett and Anna Lunoe grace the stage to hundreds of thousands of people this year, showing that Australia is no longer the isolated scene that it used to be.

Many of these artists came from humble beginnings. Courtney Barnett started out as a Triple J Unearthed artists and was still working at a pub in Melbourne only a year ago. Anna Lunoe rose up the Australian club scene ranks with party contingent, HOOPS, with Nina Las Vegas and Bad Ezzy. And Flume, do we really need to go there? Within the blink of an eye, he’d gone from shy schoolboy to friend of Skrillex.

It was only two years ago that Gotye stormed the charts with Somebody That I Used To Know and shined a spotlight on Australia. From there, Tame Impala have become NME and Pitchfork favourites, Noel Gallagher has called Jagwar Ma the “future of the galaxy” and, dare I say, 5 Seconds of Summer have had the highest selling debut in the US of any Australian act.

At the end of 2012, NME called the Australian scene, “easily the most exciting in the world”, but two years later are we still? Below are six artists that we believe are the next to be snatched from this barren land and thrown into obscurity overseas.

Tkay Maidza

This 19 year old firecracker needs little introduction. We’ve already lauded her over a number of times on the interns and we’re not about to stop. Following her explosive single, Brontosaurus, she’s captivated festival audiences with her pop-crossover raps which place her somewhere between Nicki Minaj and Azealia Banks with more cool and less tantrum tendencies. Her latest track Uh-Huh is an expertly crafted pop tune with a sheen that beats just about everything at commercial radio right now. Unlike most hip-hop coming out of Australia she is accent-neutral and clearly understands the genres that are shining through internationally at the moment.

What they’re saying overseas:  “Well it’s Friday so let’s crown a SONG OF THE WEEK. It’s Tkay Maidza’s ‘U-Huh’” Popjustice

Collarbones

The duo of Marcus Whale and Travis Cook have been chipping away at it for a while but we feel they’re on the edge of their international break. They’ve been championing the RnB revival far before it was in vogue and their last album Die Young, is by any standards, superb. They’re currently gearing up for the release of their next album, Return, and are embracing a more outright melodic pop sound as demonstrated by the first single, Turning. It’s likely to make them more approachable for an international audience clamoring for anything that sounds remotely like the early 2000s. Last year, The Guardian called them one of ‘The best Australian bands you’ve never heard of’.

What they’re saving overseas: “together they make some rather fine electronica-inflected R&B.” The Guardian

[soundcloud width="750" height="200"]https://soundcloud.com/collarbones/turning[/soundcloud]

TIAAN

Tiaan was born in Australia but she’s currently residing in LA so she’s already halfway there but it looks like this year may be the year she breaks out. If that is the case, we will, of course, hurry her back to the country for a victory run. We don’t know a whole lot about her apart from the fact that she’s just released two slices of effortless RnB in the way of, Clean and Devil’s Touch. The standout is the latter which combines the restraint of Jessie Ware with the sensuality of RnB contemporaries like Tinashe and Kelela. Its chorus slowly creeps up to you and then works away at your ears with a subtle but addictive melody. There’s a lot of people trying to emulate this sound right now and TIAAN nails it.

What they’re saying overseas: “a super-smart, smartly sparse electronic R&B 'jam' that only a colossal idiot could fail to find completely beautiful.” Popjustice

[soundcloud width="750" height="200"]https://soundcloud.com/tiaan-official/devils-touch[/soundcloud]

D.D. Dumbo

This central Victorian native has already been making some serious headway overseas this year, but his takeover should be even more extensive once he releases some music. His last release was his self-titled debut EP, released in 2013, which was built upon crunching guitar riffs and industrial percussion. The standout of that was, Tropical Oceans which centred around his heavenly vocal riff. Since that release he’s played SXSW, impressing NME and NPR and he’s signed to 4AD Records which is home to artists like Bon Iver and St. Vincent. He’s set to take on Australia’s version of SXSW, BIGSOUND, next month to further spread his influence.

What they’re saying overseas: “Mystery seems to swirl around D.D. Dumbo...it’s hard to nail down his influences.” NPR

George Maple

We’re going out on a limb with this one given that Maple hasn’t released any formal solo material since last year’s seductive, Fixed but that was enough for us to know Maple is something special. She’s currently living over in London with her heart clearly set on overseas success. Many may not know it but she’s already been casting her spell over an Australian audience with her features on tracks by Flume and Goldroom in the past year. She can be distinguished by smokey low-register and the ability to reach giddy heights when she draws her notes out. Just last week she was back in the country touring with Little Dragon as her first official gig since signing with Future Classic. Given Future Classic have had a hand in crafting the careers of Jagwar Ma and Flume, we think she’s in safe hands.

What they’re saying overseas? ““Fixed”, is an earworm that emphasizes Maple's tender, warm register.” Pitchfork

[soundcloud width="750" height="200"]https://soundcloud.com/george-maple/george-maple-fixed[/soundcloud]

Japanese Wallpaper

At the tender age of 17 Gab Strum, aka. Japanese Wallpaper has already made a few fans. His track, Breathe In, was chosen to feature in Zach Braff’s film Wish I Was Here alongside tracks by Bon Iver and Cat Power and he’s also been chosen as the winner of Triple J’s Unearthed High. His tracks are atmospheric, lush creations that are comfortable by lulling at a low tempo. Breathe In which features Brisbane vocalist, WAFIA, is an inspiring production. It twinkles with bedroom keys in the middle section and floats into dense instrumentation in the latter part. For a young producer, he has an impressive confidence that allows him to play things at his own pace and in the meantime mesmerize thousands. That kind of charm is likeable far beyond just Australia.

What they’re saying overseas? “There’s something oddly warming in his sound which has managed to grab a good number of ears.” Earmilk

[soundcloud width="750" height="200"]https://soundcloud.com/japanesewallpaper/breathe-in-ft-wafia[/soundcloud]

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Tkay Maidza unveils video for 'U-Huh'

Adelaide firecracker Tkay Maidza has debuted the video for her track U-Huh. In the past month she's releases the track to rave reviews, performed an earth-cracking performance at Splendour in the Grass and signed to Dew Process. She's one of the fastest-rising names in Australian music right now and this video should help catapult her further. It sees Maidza just being naturally cool in front of fruit, on baseball pitches and with glitchy images. She's fierce but still friendly enough to want to be friends with her.

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First Impressions: Tkay Maidza, Perfume Genius, TOKiMONSTA + more

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This week, dance-music reigns as we review a number of different takes on the genre from smooth RnB to EDM to PC Music. Enter the madness that is First Impressions below:

Tkay Maidza- U-Huh 

[soundcloud]https://soundcloud.com/tkaymaidza[/soundcloud]

Bianca: U-Huh is a more than palatable pop song with some serious hip-hop influences. The hook is instantly infectious and I’m excited to see what else is to come from the Adelaide-born, PG-rated, Azaelia Banks Jnr. firecracker. Bianca’s Pick

Sam: This is a perfect example of when you let a great pop song eventuate under the most natural of circumstances. Every major label in Australia take note- this is how you craft a hit. It’s effortlessly melodic, full of personality and fun to boot. Tkay is surely bound for huge things. 4

Lizzie: I have been a Tkay fan for over a year now, I just think she is the shiz - not just because she is from Adelaide but she has this incredible universal appeal and at just 18 years old, her production skills are impressive. It's not as punchy as Brontosaurus, but I feel this Summer-time nostalgia - similar to that, after listening to M.I.A's Paper Planes4

Hannah: Alright Lizzie, we get it. You're from Adelaide, she's from Adelaide, you can claim her. I agree though, Tkay Maidza is a much more bearable Australian answer to M.I.A. She raps across the beat with effortless attitude. It's fun and instantly infectious. 4

Airhead- Believe

[soundcloud]https://soundcloud.com/thump/a1-believe?in=thump/sets/airhead-believe-ep[/soundcloud]

Bianca: The ping pong echoes put the club into the church, evoking visualisations of a Sunday sermon that offers a little less bread and a helluva lot more wine. The record crackling sample also adds a subtle, nostalgic touch. The TV beep effect, however, is a little less welcoming on my ears. 3.5

Sam: The industrial production of this one makes sure that the bass bangs you right into next Saturday. The production feels icy cold, yet the preaching vocal sample that runs under it is comfortably familiar. Some of these sounds just echo around my head, bouncing off dead space (and believe me, there is quite a lot of that). 3.5 

Lizzie: I can feel myself float away with this track. This song could be on repeat for hours and I would have no idea - it's very much a song that just blends into the background. This is not necessarily a bad thing, it just has its own special place in my iTunes library. 3

Hannah: The bass on this one is pure, paired-back house. Something you'd expect to find during the early hours of a Berlin warehouse rave or beneath a Jimmy Edgar track. Its intricate  and complex use of layered sampling keeps you interested, while the vocal pleads with you to believeee in the track just enough  to keep you pulsing right on through. 3.5

Steve Angello- Wasted Love (Feat. Dougy from Temper Trap)

Bianca: This song feels like it belongs in 2009 and I think my 19-year-old self would have loved it. Dougi Mandagy’s voice has a nice familiarity to it but, sadly, I ain’t 19 no more. 2.5

Sam: Dammit. Don’t get me wrong, this is more same, same EDM with barely anything to set it apart from the rest but I’m such a sucker for a crisp, pop hook. Dougy brings that in abundance but I’m so confused. I usually can’t stand the whiny aura of The Temper Trap but there is something somewhat euphoric about this. Also is this not Sky Full Of Stars p.2? DM me if you have answers. 2.5

Lizzie: This track is all about Dougy's voice, and not about Steve Angello - his production here is subtle, and I think it works really well. It's the perfect Summer tune; uplifting, all about love and just in time for the Tomorrowland after-movie soundtrack! 3.5

Hannah: This is just more of that tried and tested EDM formula circulating at the moment. Chiefly, hide the fact it's yet another unbearable, stock standard EDM song, beneath some very cleverly placed, makes-you-want-to-sing-along vocals. Eh. 2.5

TOKiMONSTA- Realla (Feat. Anderson Paak)

[soundcloud]https://soundcloud.com/tokimonsta/realla-feat-anderson-paak[/soundcloud]

Bianca: Was it really necessary to spell ‘real’ the way it's being pronounced? Ugh this track is way too smooth for my liking. 4 realz. 2

Sam: *Adds Anderson Paak to iPod* TokiMonsta kills the productions of this one with those jabbing, brass undertones but Anderson Paak, am I right? The man just murders it on this one flicking between drawn-out RnB vocals and singing rap-like verses. 4 Sam’s Pick

Lizzie: Please listen to this track with your eyes closed. It is the only way to truly appreciate the layered sounds and surround-sound experience this song creates - it's spine-tingling. Then the horns come in, oh when the horns come in. I'm sold! 4 Lizzie's Pick

Hannah: For Realla baby, this track hits you with an instantly welcomed Frank Ocean, Channel Orange nostalgia. That brass, that bass, that cascading vocal sample that falls between Paak's third verse rap. Grind. Just grind. 4.5 Hannah's Pick 

Bianca: Yeah, okay. I see how it is...

GFOTY- Don’t Wanna/Let’s Do It

[soundcloud]https://soundcloud.com/pcmus/dont-wanna-lets-do-it[/soundcloud]

Bianca: I really can’t seem to get into PC music. A kid pressing random buttons on a soundboard would produce better noise than this techy headache. 0

Sam: Unlike Bianca, I think PC Music is one of the most interesting and exciting things to happen in the last year or two. Like everything we’ve heard from the label, this is bonkers but it’s even more so than the others. The bipolar flick between I don’t wanna do it/Let’s do it is something I deal with on a daily basis. I have the same conflict with this song. I love it, I also hate it. I’m going to flick to I love it, purely because I keep going back to listen for more. There’s so much hidden melody in this, it’s just chopped up and displaced everywhere. Beautifully incoherent. 3.5

Lizzie: Please, I beg of you, tell me this is not music!? It sounds like a toy-store coming alive when everyone's asleep. Wake me from this nightmare!! 0

Hannah: When an EDM queen dishes out a zero, you know the song's clutching at straws. That said, this song has moments of rhythmic crescendo and almost satisfying bass, but ultimately it's riding an escalator to nowhere. Is that the point of PC music? Who knows. I feel though in the hands of a remix master, that sample could have potential. 2

Perfume Genius- Queen

Bianca: Mike Hadreas is truly making a statement with his comeback track. The steady, marching beat sets the tone with more pomp than a high school graduation. His haunting vocals and synths are gloriously juxtaposed with the cheerful whistling instrument, giving Queen a slightly creepy quality. 3.5

Sam: I found Perfume Genius’ last album a little too introverted to completely get into but Queen is a different story. It’s so outwardly bold, that it feels like a different artists altogether. I would’ve liked a bit more of a climax in the final quarter but apart from that I’m captivated. Please sir, can I have some more? 3.5

Lizzie:  I took one whiff of this Perfume Genius and can't say I am a fan of the broody and creepy vibe, it's just not my style. While I can appreciate all the elements - the slow beat, variety of kooky instruments and echoing vocals - I just can help but feel a little sad after listening. It's a Monday and I need a pick-me-up! 2.5

Hannah: If I was still the Hannah that listened to The Editors and Cold War Kids, I'd be right on board with this suburban angst track. As it is, the languid vocals over what feels like an incredibly lazy guitar-meet-drum-kit production just doesn't do it for me. Why the dog barking sample? 2.5

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10 Songs You Need To Hear This Week

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Is it that music is getting better? Is it that we had a good week? Or is it that we’re overjoyed by the news that Adele will indeed be naming her album, 25? Whatever it is, these 10 tunes are just sounding that little bit better this week. Amongst the 10, we have the creme de la creme of hip-hop, a few triumphant comebacks and enough Ryan Hemsworth to fill our Pokedex. So go forth and check out the best 10 songs of the week. Gotta catch 'em all.

Click here for this week's Soundcloud playlist. 

Kwamie Liv- comin THRU

Looking for Paper Planes without the tacky, dance-along moves? Look no further than the third offering from Danish-singer Kwamie Liv, comin THRU. There’s mellow, RnB undertones followed by a hip-hop-inspired chorus that pops like M.I.A’s hallmark track. Wanna' get down, pop-it and lock-it this weekend? Yeah, you do. Press play.

[soundcloud]https://soundcloud.com/kwamieliv/comin-thru-1[/soundcloud]

Vic Mensa- Feel That

It was always going to be a hard job following up Down on my Luck but Chicago rapper Vic Mensa has done a valiant job. We don’t publicly condone it, but if your Saturday looks anything like this video then you’ve had one helluva weekend. As for the track, it’s a hip-hop banger that lays a runaway train flow over sparse hip-hop beats.

The Drums- Magic Mountain

The Drums have gone from the beach to the mountains on this trippy comeback single. There’s a bit more noise, there’s a little bit more psychedelic but The Drums are still there at the core of it all. Stick around for the 2min 30 mark when it all gets a little bit spooky and we descend down the mountain and into the rabbit hole.

[soundcloud]https://soundcloud.com/minorrecords/magic-mountain[/soundcloud]

Tkay Maidza- U-Huh

Is there something in the Adelaide water? Motez, Allday and now 18-year old Tkay Maidza has taken to the stage as one of the most exciting new talents to watch in 2014. After seducing us with her catchy track Brontosaurus back in 2013, U-huh is Maidza's first single since signing with Brisbane label Dew Process - home to London Grammar, Mumford & Sons and Sarah Blasko. This track is crisp, sassy and the perfect blend of hip-hop and pop - in a way that Azealia Banks could only dream to replicate. Timed to perfection,this release comes as Tkay is set to play Splendour in the Grass next weekend, Listen Out and Big Sound in coming months. Be sure to catch her before the rest of the world eats her up!

[soundcloud]https://soundcloud.com/tkaymaidza/u-huh[/soundcloud]

Perfume Genius- Queen

Mike Hadreas (aka Perfume Genius) embraces his inner Freddy Mercury this week on the bold new track from his forthcoming album, Too Bright. It’s production is far denser than anything he’s done before with haunting whistles, brave percussion and a vocal that sees Perfume Genius take charge like never before. We’re not sure about the Perfume part but this one is definitely Genius.

Sinead Harnett- No Other Way (Ryan Hemsworth Remix)

Hemsworth is the guy you know and trust to do your work justice, and his re-work of London-based songstress Sinead Harnett's No Other Way is no exception. Production-wise, it is hard to fault him, serving up the perfect balance between soul, toyed melody and dancey electronica. The layered synths up the tempo of the catchy chilled-out original to produce the perfect mid-Winter pick-me-up.

[soundcloud]https://soundcloud.com/sineadharnettmusic/no-other-way-ryan-hemsworth-remix[/soundcloud]

Ryan Hemsworth- One For Me (Feat. Tinashe) (Lucas Remix)

*Wipes tears away*. Much Ryan Hemsworth this week, many feels. Seattle producer, Lucas does an emotional flip of Hemsworth's album cut, One For Me. Tinashe’s vocals are taken down a few notches to sound like a soulful male, while Lucas lays down keys and a steady beat. This song was already beautiful but this just takes it to another level. If you’re going through a breakup this weekend, press repeat. If not, press next.

[soundcloud]https://soundcloud.com/yung-lucas/one-for-me-feat-tinashe-lucas-remix[/soundcloud]

- Walk This Way (Lido Remix)

It’s everything video games and gaming arcades on the Lido remix of ’s track, Walk This Way. It introduces a whole new element of trickling synths and skittered beats that will possibly grate you and possibly won’t. Such is the joy of the democratic nature of music.

[soundcloud]https://soundcloud.com/momomoyouth/walk-this-way-lido-remix[/soundcloud]

Astronomyy - Nothin On My Mind (Bearson Remix)

the interns have got tropical fever this week from La Roux’s Trouble in Paradise and the vibes are continuing with this remix of Astronomyy’s Nothing On My Mind. Oslo House producer, Bearson has reworked the already-chilled track with, taking us from beach to beach bar.

[soundcloud]https://soundcloud.com/bearsonmusic/nothin-on-my-mind-bearson-remix[/soundcloud]

ODESZA - Memories That You Call (feat. Monsoonsiren)

Seattle-based duo ODESZA have dropped their dreamy first track from their upcoming second album, In Return. Awash with heavenly synths accompanied by purposeful percussion, Memories That You Call is an anthem of youth; painting pictures of wayward journeys across the plains.

[soundcloud]https://soundcloud.com/odesza/memories[/soundcloud]

And here's another. We're feeling generous:

Treasure Fingers & BOSCO- Names

Brooklyn label Fools Gold is quite literally a goldmine of tunes. Their latest delivery is from Atlanta Producer Treasure Fingers and it’s a disco cross hip-hop cross house number that’s exactly what it sounds like- a perfect amalgamation of sound. He’s joined by singer/songwriter BOSCO who effortlessly goes in between rapping and singing, sassiness and sensuality. Grab someone and grind them when listening to this. It will make so much more sense. Please make sure you know the person you grab.

[soundcloud]https://soundcloud.com/foolsgoldrecs/treasure-fingers-bosco-names-2[/soundcloud]

Click here for this week's Soundcloud playlist.  

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Tkay Maidza be like 'Chiddy Bang Bang' on new track 'U-Huh'

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South Australian fire-cracker Tkay Maidza has unleashed the follow-up cut to 2013's mammoth Brontosaurus. The sassy U-Huh comes at the perfect time for Maidza who is geared-up to play Splendour in the Grass next week and tour the country with Listen Out in September. It's less manic than Brontosaurus, but not less-confident as Maidza struts her stuff as a more-talented/less-heated Azealia Banks. This girl has some serious potential to take this worldwide (no intentional reference to Pitbull). U-Huh is a crisp production that carefully treads a line between hip-hop and pop.

[soundcloud]https://soundcloud.com/tkaymaidza/u-huh[/soundcloud]

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