11 ways to pretend there’s nothing else going on in the world.
11 ways to pretend there’s nothing else going on in the world.
At points, it’s so good it could be a greatest hits collection.
The new artists did not come to play this week.
Exploring a turbulent point in Kylie’s career.
“I absolutely hated this the first time I heard it.”
For this week’s reviews we’re delving into all things pop. Whether it’s straight up, glitter-pop or left-of-centre pop, we’re dipping our toes in all things melodic. It takes us to some unsettling EDM territory, vintage Hollywood and the ’80s. Those things combined have to mean a good time…right?
Sam: I did love Let Me Down Gently but this is what I expected from La Roux. Elly Jackson is an exquisite pop creator and this sort of reminds me of Bowie’s Let’s Dance . Mandating everyone to ‘move, move move’ is always a good idea. I’ve probably played this in excess of 20 times this week. 4.5 Sam’s Pick
Lizzie: Can I really understand what she’s saying? No not really. Do I care? No a cent. I’m mesmerised too much by her boppy poppy beat. La Roux delivers again and again. My vote for consistently giving me chills! 4 Lizzie’s Pick
Hannah: This song reminds me of a long lost old friend that suddenly walks back into your life. It’s familiar, it’s comfortable and it’s damn good to see them again. Now move, move, move. 3.5
Bianca: So good to have Elly back in my ears. Does my vote still count if this listen was about my 30th impression? 4.5 Bianca’s Pick
Sam: Damn Dev Hynes is such a brilliant pop-producer. There’s a glistening charm to this, which he’s done, without much help from Kylie I’m sure. It’s for a good cause but my goodness the video is a stinker. Truth be told, I really don’t mind the song though. #TeamKylie. 3
Lizzie: NOTE: DO NOT WATCH THE VIDEO CLIP. It is god awful. The song on the other hand, follows yet another perfect recipe for pop catchiness. Produced by Blood Orange (say what!?), I feel I’ve been transported back to a 90’s Blue Light Disco…may have even caught myself singing this in the shower this morning. Miss Minogue you’ve done it to me again. 3.5
Hannah: ….but… but… it just doesn’t go anywhere? 2
Bianca: I want to hate this video clip so bad but it takes me back to my hairbrush-singing-in-the-mirror days that I can’t help but feel nostalgic. That’s probably where my affection ends though. To put it bluntly, I certainly wouldn’t be turning my chair around for this one. 2
Sam: Isabella Manfredi’s vocals are pure sex. I feel like they hark back to Chrissy Amphlett in the way of that really gritty, smokey tone. I’m so glad they’ve gone for a slow tempo and understated melody so that Manfredi can take the spotlight. 4
Lizzie: Well hello Ministry of Sound Chill Out album 2014. It kinda makes me want to move to Byron Bay for some reason. I feel that’s a good thing…The vocals by Manfredi, really own this song. Simple, majestic and fluid. 4
Hannah: Manfredi, I’m yours, I’m yours I’m yours. Simultaneously melancholic, whimsical and strangely hopeful, this song is destined for “soundtrack to your life” type lists everywhere. Excuse me while I go back to staring dreamily out of my rain strewn window. 3
Bianca: It’s an emotionally genuine, honest song but it wouldn’t feature on the soundtrack of my life. 3
Sam: Haxan Cloak’s production on this is the beginning is minimal brilliance but it’s all about 2:13 when it takes flight. The rollicking beat really smacks you in the stomach. It’s a very bold move for Wife to introduce himself this way, but it captures your attention. It’s all about the ebbs and flows. 3.5
Lizzie: This song does nothing for me. It’s too slow, harsh for the ears and general vibe is too intense for me. Just not my cup of tea sorry. 2
Hannah: The perfectly practised, totally atmospheric restraint of the first half of this track, coupled with the dark seduction and bone shattering anger of the climactic second has me hooked. Big, big, big fan. 4 Hannah’s Pick
Bianca: Probably not the best song for a hungover Monday morning but I can appreciate the raw emotions of the track. Hot tip: Do not search ‘wife + tongue’ on Youtube. Unless you’re into that kinda thing. 2.5
Sam: This is Lana’s second album and I still feel like we’re as far away from knowing who she actually is as ever. It’s still very vintage Hollywood. I like that she’s roughed it up a bit for Ultraviolence but it sounds like something I’d do at Karaoke at 4am in the morning, swaying, slightly off pitch and thinking I’m seducing everyone around. 2.5
Lizzie: Bond… James Bond. Is anyone else feeling that vibe – Daniel Craig shooting his gun into the distance in his newest franchise with this track echoing in the distance? I have utterly succumbed to the sexy broodiness of this song. 4 Lizzie’s very close second
Hannah: This week we’ve got the work of two major songstresses featured on First Impressions. First Kylie and now Ms Del Rey and yet I really feel neither of them delivers a track that goes anywhere I’m willing to go. Kylie’s chugs along a predictable pop princess route and Del Rey’s just crumbles into a sepia-toned car crash of messy guitar and percussion. It probably doesn’t help I hate Lana Del Rey at her best. 1.5
Bianca: If you’re a Lana Del Rey fan, you’ll no doubt be singing her praises for her latest track. If you’re not a fan, don’t worry, nothing’s changed. She’s the same Lana you know and don’t love. 2
Sam: Frankly, it’s a cheap rip-off of Daft Punk and the disco flavoured-EDM sound that has followed. The vocalist is devoid of any type of human-appeal and the instrumental is so bland I’d rather be eating wet wipes. If Deadmau5 took me for a ride in his car and made me endure this, I’d open the door and roll-out. Seeya! 0.5
Lizzie: He said he had this track lying around for a while, waiting to be released. He should have released it way back when…now it just sounds like a shitty electro attempt to cover the current funk disco vibe doing its rounds atm. (deadmau2.5)
Hannah: Yes Colleen D’Agostino you can move my body… away from the speakers pronto. And my mind is already well and truly asleep. Mission accomplished. Total yawn. 0.5
Bianca: Colleen’s voice makes me want to put a giant mouse on her head just so I don’t have to hear that screech. The track certainly has amiable disco vibes about it but fails to take me to funky town. Points for effort, I guess. 2