be right there1_

Diplo Teams Up With Sleepy Tom For 'Be Right There'

be right there1_

Diplo has somehow managed to find time away from his massive touring schedule with Major Lazer and Jack U to release a banger... Right in time for the weekend. He has teamed up with Fool's Gold producer Sleepy Tom and has strayed away from his usual trap, moombahton, hip hop sound in order to create this house track, Be Right There. The pair have sampled a 90's classic by Jade, Don't Walk Away where they have reworked it into this massive dance anthem. Be Right There has everything working for it, from it's infectious melody to a punchy bass line and synth. The track has been released on Diplo's label Mad Decent

 

FI_26May

First Impressions: Florence + The Machine, Hudson Mohawke, Jarryd James And More

FI_26May
First Impressions is an interns roundtable review of songs on their first (or second) listen. Each week we review six new songs from the past week, each giving
them a score out of five and awarding our pick of the week. This week we pick apart tracks by Florence + The Machine, Jamie xx, Hudson Mohawke and more.

Hudson Mohawke
Scud Books

Meshell: Scud Books is badass. The gradual buildup hits anthemic heights about a minute in and then drops back again for another step by step build-and again. It's all very simple theme and variation stuff but somehow it’s still captivating. There is a real art in something that sounds this simple because it never is…there is always the exact amount of instrumentation to keep the dynamics on the steady up. I’m really feelin’ this and I am super excited for the album. 3.5

Caitlin: One word – brilliant. Genius, perhaps if two words were needed to describe this track. The build up by Hudson keeps the listener anticipating the next beat drop for just the right amount of time before bringing them into the wonderful sound that is Scud Books. Listen to the music with eyes closed, embrace the festival feel the sound brings to the ear drums and picture the crowd throwing their hands up in unison recording the moment on their smart phones. I don’t know, man, this song makes me really happy. 5  Caitlin’s Pick

Sam: This HudMo record just keeps getting better and better. I have no idea why he led with Very First Breath because everything since then has been miles stronger. The brassy-synths are back on this one with that HudMo-defined bass. Like Ryderz it’s wrapped in this sense of euphoria and just takes flight around the three minute mark. Meanwhile those Nintendo-like synths sweeten the deal with a bit of melody. 4.5

Jamie xx
I Know There’s Gonna Be (Good Times)

Meshell: As a prematurely old lady it makes me super happy to hear this sample by The Persuasions having new life breathed into it. Shame original member Jimmy Haze had to be such a wet rag and have a tantrum about an unsolicited sample (don’t worry guys, Jamie did get it cleared and the silly old coot “forgot about it”). Irrespective of the surrounding controversy, this song does make me believe there are going to be good times. First DJ who I hear dropping this in their set will get a free whiskey from me. 4

Caitlin: Collabs these days, am I right? As foreseen as Beyoncé or Drake’s surprise album releases – this collab is pretty left of field. The mix of Jamie xx 's ability to reincarnate a '70s hit, Young Thugs' rap (kind of) and Popcaan's Jamaican charm makes for a pretty decent track. For the younger audience, the lyrics maybe a little M15+ rated (but then again what song isn’t these days) but lets look past the sexual innuendos for just a moment.  For me, Popcaan’s smooth vocal chords make this song as good as it is.  3.5

Sam: Loud Places, Gosh and now this - Jamie xx has really run into the album with his best foot forward. First up that Persuasions sample gets you and then Young Thug rolls on with one of his funnest verses. The song is more up Popcaan’s ally than anyone else and he doesn’t disappoint with his slurred rap over the sample. I wish we were going into summer right now and not winter because this track is readymade for sunshine. Unexpected but excellent and the more and more you listen to it the closer it sounds to Jamie’s previous tracks. 4.5 Sam’s Pick

Read: Jamie xx's In Colour Reviewed Via The Colours Of A Mood Ring 

CL, Diplo, Riff Raff and OG Maco
Doctor Pepper

[soundcloud width="750" height="200"]https://soundcloud.com/maddecent/diplo-x-cl-x-riff-raff-x-og-maco-doctor-pepper[/soundcloud]

Meshell: Sound design in this is so grimy and wonderful and I love that Diplo paired with CL who is the baddest bitch in K-pop…like some wonderful Rihanna/Yolandi Vi$$er/Missy Elliot hybrid child (and if you don’t listen to K-pop the internet thinks you’re irrelevant). TBH I could totally do without RiFF RAFF on this but maybe I’m being bias because I think he is an absolute tool. Not the best thing I’ve heard from Diplo but whaddya gonna do when he just keeps setting the bar so high for himself? 3.75

Caitlin: I read the title of this tune thinking it was a metaphor for something but after listening to it for quite some time the song is literally about the American soft drink Dr Pepper. Now delve a little deeper into the names accompanying the track. Riff Raff is still hanging around the music community backed by music producer and Mad Decent (the label responsible for this) record company founder Diplo, Atlanta rapper OG Marco and wait for it…. K Pop superstar turned English speaking rapper CL. Blame CL for the catchy hook guaranteed to burrow into the brain and never leave, try to look past the fact Riff Raff is still “rapping” and keep your eyeballs peeled for all the internet parodies waiting to be unearthed from this tune. 2.5

Sam: I wondered how long it would take Diplo to get his head around the whole K Pop thing. Given how energetic and over-the-top Diplo’s production usually is it makes sense that he was drawn towards the genre. This, however, sounds nothing like K Pop. Instead CL sounds like Rihanna on a song that sounds strong but brings nothing new to the table. In terms of introducing CL to the Western market as something a little bit different I think it misses the mark. 2.5

Sinead Harnett
Anywhere But Here

[soundcloud width="750" height="200"]https://soundcloud.com/sineadharnettmusic/anywhere-but-here[/soundcloud]

Meshell: Sinead has a voice like sad honey. Which I have decided is a thing. Her tone is astoundingly inviting, there’s a warmth to it that immediately draws me in but there is a distinct sadness in her delivery and I absolutely adore it. I am such a sucker for bittersweet RnB-electronica (just ask my ex, totally used to piss him off).This girl has serious soul and is an unexpected home run for me. 4.5

Caitlin: How much do I have to pay Sinead Harnett to teach me how to sing? But seriously, the vocals on this are killer. The soft electronic beat in the background of this track highlight her velvet tongue perfectly as she sings some pretty deep lyrics. How have I not heard this song blasted from a 17-year-old girl’s car as I sit in traffic? After listening to this track, I can’t wait to hear her next single coming out in early June. 3

Sam: Sinead’s voice is where it’s at. There was something about the melody of She Ain’t Me that didn’t really stick with me but this one does. Immediately. We get to hear the powerful depths as well as the flighty heights of her voice over a ‘90s throwback, RnB instrumental. I’ll be keeping a firm eye on her solo material now. Consider me won over. 3.5

Jarryd James
Give Me Something

[soundcloud width="750" height="200"]https://soundcloud.com/jarrydjamesk/give-me-something[/soundcloud]

Meshell- The first time I heard Jarryd James’ voice I was probably about 14 and Myspace was still cool (If anybody wants to hear him and his buddy Matt Corby covering Ne-Yo…hit me up). From these humble beginnings anybody who heard him sing knew he was going to make it big one day. It’s taken a little longer than expected but his new partnership with should-be-household-name Joel Little is taking him from strength to strength. The cool thing about this new single is that it feels like a teaser-like Jarryd is only giving the audience a tiny glimpse of how good his voice really is. 5 Meshell’s Pick

Caitlin - Correct me if I’m wrong but I do believe Jarryd James is the Australian Ed Sheeran. Jarryd’s music is not something I would race to put on my iPod and crank in house on a Sunday morning but his voice is so soft and mesmerising it is hard to un-listen once you have heard it. From the comments on the song, I have seen some people call the track 'art'. And that is exactly what it is! The catchy tune sits like a blank canvas, the lyrics almost everyone can relate to acts as the paint brush and the smooth groovy deliverance of the said lyrics are the paint creating this masterpiece. A very close second favourite for me. 4.5

Sam: His voice is very obviously good and it was what immediately drew me to Don’t You Remember but is it enough? To me it feels a little bit Guy Sebastian repackaged for triple j. Joel Little does his best to put a few intricacies into the production but ultimately it doesn’t really help brighten a song that’s a little beige. That said, props where props are due. His voice is great and he’s obviously going to be a huge riser on the Australian scene this year. But it would just be good to hear something different on triple j, rather than giving off a vibe that says Vance Joy discovered RnB. 2

Florence + The Machine
Delilah

Meshell: I am one of the few people in the music blogging world who just doesn’t get Florence Welch. I appreciate how talented she is and I have really REALLY tried to see the appeal but anybody who’s been in the car with me when Florence comes on shuffle knows I always skip to the next song. Maybe there’s something wrong with me? Maybe I’m just slow? Maybe in ten years time this song will come on and I’ll be hit smack bang in the face by a sonic “ah ha!” moment where  I’ll finally get it…for now I’m just kind of waiting patiently for it to finish and thinking about what I should have for dinner. 2.5

Caitlin: There are two types of people in this world – people who know every song from Florence + The Machine and people who only know You Got The Love. And yes, I am the latter. Nothing against Florence, her vocals are definitely one of a kind but this 4:54 song just seems too long for me. It begins with catchy lyrics… the beat shortly follows… Florence then belts out a one of a kind Florence high note… the middle of the song reminds me of a church choir singing the backing vocals… then the song continues and continues then keeps continuing to continue. A three-minute song, possibly good but for me the song is a bit of a miss. Maybe next time. 3

Sam: It’s taken me a little while to realise the true strength of all the tracks we’ve heard off How Big How Blue How Beautiful so far. They don’t smack you in the face like the Florence of old. Instead, they’re far more subtle. On first listen Ship To Wreck sounded limp but a month later, it’s now looking to be one of her finer releases. Despite Delilah having a little more oomph behind it, it does take a while to get on board with. It’s gospel and motown peppered with indie-rock and while it doesn’t fit anywhere in the music spectrum right now, it’s distinctively Florence. She’s always written a killer bridge and here it’s no different. After the three minute mark the song grows wings and takes off. 4

 Now it's time for your vote: 

[poll id="41"]

10Songs_15May

10 Songs You Need To Hear This Week: Years & Years, Diplo, Jamie xx And More

10Songs_15May

Here's a collection of tracks we loved this week. Tick them off your list so you can move onto next week confident that you took everything from this week that you possibly could.

Years & Years
Shine

British trio Years & Years had a mighty task following up their UK chart-topping single King, but it seems as though they've done it with ease. Shine takes a slightly different pace to King but it's no less euphoric with frontman Olly Alexander's vocals once again sounding flawless. At this point it's hard to see the band making any missteps on their forthcoming album Communion which is due out 10th July.

Elliphant
Love Me Badder

Swedish songstress Elliphant has been churning out perfect pop for the better part of two years but it finally feels like she's hit her stride. Last year's MO-featuring One More was one of our favourite tracks of 2014 and this latest one Love Me Badder is just an impressive. It's a big-sounding, dancehall-sampling ballad with a chorus made for the masses. Elliphant's voice is smokey and full-bodied and tackles the huge melody without any problems at all. Her Splendour In The Grass shows should make her plenty of fans here.

Novelist
Ignore And Wot

I've spent the better part of the week trawling through grime history for a piece that is about to go up on the site. It feels like an appropriate reward that at the end of it all a new Novelist track emerged. Ignorant And Wot popped up on Novelist's soundcloud and it's a corker. It's a ready-made anthem with a simple but hard-hitting hook bookended by fast-flowing verses. It's baffling that this guy is only 18 years-old.

[soundcloud width="750" height="200"]https://soundcloud.com/novelist/ignorant-and-wot[/soundcloud]

Anne-Marie
Karate

Rudimental collaborators have had a pretty good track record when it comes to moving onto their own solo careers. John Newman had a number single on his own, Ella Eyre is making waves with her solo tracks and Sinead Harnett looks set to make a big splash with She Ain't Me. Anne-Marie has toured with Rudimental as their live vocalist but looks to be more than ready to do it alone. Karate, her debut single, is a little more left-field than what the aforementioned names are making. It's experimental pop with a strong melody and airy vocals. It may not be a number one single in waiting but it doesn't feel like that was the goal.

[soundcloud width="750" height="200"]https://soundcloud.com/iamannemarie/anne-marie-karate[/soundcloud]

Rihanna
Bitch Better Have My Money (Diplo & Grandtheft Remix)

For one of Rihanna's less-successful tracks Bitch Better Have My Money keeps popping up everywhere. Last week we got the EDM remix courtesy of R3hab and now we have a remix firmly in the trap-world courtesy of Diplo and Grandtheft. It's far more true to the original than any other remixes we've heard but it does give it an extra dose of oomph with abrasive horns and hard-hitting beats. It's definitely one of Rihanna's more curious singles but it really does just keep getting better. Diplo and Grandtheft have helped that cause.

[soundcloud width="750" height="200"]https://soundcloud.com/diplo/bitch-better-have-my-money-diplo-grandtheft-remixofficial-you-losers[/soundcloud]

Charli XCX
Doing It (Carmada Remix)

It's criminal that the original of this song didn't reach number one for 40 weeks on the Australian charts but Aussie duo Carmada may have the answer to ensuring its resurrection. They have been on the Groovin The Moo festival trail with Charli XCX playing their Doing It remix along the way but now we finally have the proper, final product. They keep that stellar chorus and around it build a world of flickering synths, high-pitched vocal samples and mournful keys. We reckon Charli would approve of this one.

[soundcloud width="750" height="200"]https://soundcloud.com/carmadamusic/charli-xcx-doing-it-carmada-remix[/soundcloud]

Rita Ora
Poison

Rita Ora really doesn't get enough credit. She's currently trying to crack America and in that market she looks like an underdog but in the UK she's had four number one singles. That's damn impressive. Poison is the latest tune to be taken from her forthcoming second album and it's another perfect piece of pop. "I've picked my poison and it's you," she sings over a hard-hitting beat that only eases up for the euphoric verses. It may not be as immediate as I Will Never Let You Down but after two days of listening we can guarantee it's a grower. Listen here.

Jamie xx
I Know There's Gonna Be (Good Times) (Feat. Young Thug)

Popcaan and Young Thug may not be the most likely suspects for a Jamie xx track but goddam does it work. This version that leaked this week only features Young Thug but you can see where Popcaan would happily slot in on the album version. While the feature-vocalists may suggest otherwise, it actually doesn't sound that far out of Jamie xx's world. There are still steel drums, warm bassy synths and a soulful throwback sample (of The Persuasions' Good Times. Like Gosh and Loud Places, it's uplifting music, which seems to be a theme of In Colour when you also consider the multi-coloured album art.[soundcloud width="750" height="200"]https://soundcloud.com/looie31007/young-thug-ft-jamie-xx-i-know-theres-gonna-be-good-times[/soundcloud]Laura Clock
Fade

Robyn is the queen of mournful dancefloor stompers but in her absence there are plenty of other artists keeping the space warm. One of them is Laura Clock (previously known as Butterclock) who's gearing up to release her debut EP under the new moniker, Baby - Part One. Fade is the first single from that and it's a dancehall-inspired track made for the latest point of the night when the dancefloor is empty enough to really cut loose - Dirty Dancing style.

[soundcloud width="750" height="200"]https://soundcloud.com/goldenbruise/fade/[/soundcloud]

Billie Black
Going Under

We've been waiting a while for new material from London singer Billie Black but now we finally have it. Black has returned with a killer new hairstyle and a sleek sound that recalls Sade and Jessie Ware. Going Under is her most confident sounding track yet with the latter half exploding into a clean slice of electronica that immediately sounds like London. The track is taken from her forthcoming Teach Me EP which is due to drop 25th May.

[soundcloud width="750" height="200"]https://soundcloud.com/billie-black/billie-black-going-under[/soundcloud]

 

 

 

 

Major Lazer

Major Lazer Have A New Record On The Way And You Can Download A Song Now

Image: YouTube

Image: YouTube

We have already heard Major Lazer's Lean On with MØ and now they've officially announced their return with a new record called Peace Is The Mission. We're not sure if it's going to be classified as an album or an EP but given it's got only nine songs on it we're going to call it an EP - call it what you want. The release will feature the track Roll The Bass which has today been dropped all over the internet and is available for free release right here. It's a high-octane, bass-heavy track that is inline with a lot of the shenanigans that took place on their last LP Free The Universe. Guests set to be featured on the new release include Ellie Goulding, Elliphant and Travi$ Scott. Let's hope that Peace Is The Mission will bring Diplo and co. to Australia because their last visit here for Big Day Out was out of control.

There's also a video for Lean On:

And here's the tracklist for Peace Is The Mission:
1. Be Together ft. Wild Belle
2. Too Original ft. Elliphant & Jovi Rockwell
3. Blaze Up The Fire ft. Chronixx
4. Lean On ft. MØ & DJ Snake
5. Powerful ft. Ellie Goulding & Tarrus Riley
6. Light It Up ft. Nyla
7. Roll the Bass
8. Night Riders ft. Travi$ Scott, 2 Chainz, Pusha T & Mad Cobra
9. All My Love ft. Ariana Grande & Machel Montano (Remix)

©2017 THE INTERNS MUSIC, ALL RIGHTS RESERVED.