10 Songs You Need To Hear This Week: CHVRCHES, Tame Impala, Lana Del Rey And More


Our internet has been down for the whole day so we contemplated sending this out via carrier pigeon but we don't own a pad and paper anymore (#GENY) and Lana Del Rey wouldn't give us the rights to send her song via a disease-ridden bird. Luckily the internet came back, our blood pressure can return to normal.

Leave A Trace

In just one album CHVRCHES have generated enough hype to make people want to leak details of their follow-up, which means that people really, really care. And by the sounds of the first single Leave A Trace people should care. Once again it centres around frontwoman Lauren Mayberry's delicate yet cutting vocals that are at their peak here. It's another bitter tale of heartbreak but nobody really does it quite as well as CHVRCHES so just keep em' coming.

Ojuelegba (Feat. Drake and Skepta)

This is not your regular Drake remix. In fact, on paper it's bizarre. Ojuelegba was a massive hit for Wizkid in his home country of Nigeria but now Drake and Skepta have westernised it with a verse each. It doesn't deliver up much of a hip-hop beat but the pair make it work effortlessly. This friendship between Skeppy and Drizzy just continues to develop and we're very much in favour of it.

[soundcloud width="750" height="200"]https://soundcloud.com/skepta/ojuelegba-remix-ft-drake-skepta[/soundcloud]

Cosmo's Midnight
Walk With Me (Feat. KUČKA)

There's basically nothing that could go wrong when you put together two of Australia's finest producers Cosmo's Midnight and Australia's most unique vocalist KUČKA. Walk With Me is a wonderfully perky number that sees the trio channel their inner AlunaGeorge. I imagine it will go down even better come summer festival time as its airy disposition is tailer-made for the sunshine.

[soundcloud width="750" height="200"]https://soundcloud.com/cosmosmidnight/cosmos-midnight-walk-with-me-feat-kucka[/soundcloud]

Lana Del Rey

LDR is back and she's singing about bad boys once again. This time it's a man with "a history of violence," and while it's surely not possible for the singer to attract this many men with a sketchy past, she's so damn convincing as a narrator. Honeymoon is a string-driven affair with that's as grandiose as anything she's done. Her vocals and smokey and waft higher and higher with a certain Hollywood glamour to them. Bad news for the haters, you're probably not going to change your mind with this one.

Gill Bates
Didn't Mind (Produced By Feki)

Aussie hip-hop is in such a good place right now thanks to the likes of Allday, Remi, Tkay Maidza and Baro. Now we can add another name to that crew - Gill Bates. It's probably one of the most accessible Aussie hip-hop/R&B tracks we've heard in a very long time and that's thanks to that brilliant hook crafted by Gates and producer Feki. It may be only his second official single but it sounds just as polished as anything riding up the pop charts today.

[soundcloud width="750" height="200"]https://soundcloud.com/gillbates/didnt-mind-prod-feki[/soundcloud]


She's becoming a bit of a veteran now M.I.A but luckily she's got no less interesting as she's matured. Swords is taken from her fifth album Matahdatah which, in typical M.I.A style, could be out tomorrow or could arrive in 2019. The important thing right now is that we have this track and it's a catastrophic mess - the only way we like our M.I.A. She's the queen on organised anarchy and yes, this song features actual swords alongside tribal beats and brash raps. The track was featured in her visual project Matahdatah Scroll 01 "Broader Than A Border," featured below.

Know Me Better

Mabel is the daughter of Neneh Cherry and Massive Attack producer Cameron McAvy but don't for a minute think that that's all she's got going for her. Know Me Better is a confident, personality-filled debut single. It's sensual and yet brims with energy. "Now there's nothing here between us," she sings, shattering a relationship but seemingly gaining her own personal muscle to walk away better.

[soundcloud width="750" height="200"]https://soundcloud.com/mmmmmmabel/mabel-know-me-better-1[/soundcloud]

Youth Lagoon
The Knower

Trevor Powers aka Youth Lagoon caught everyone's attention with his magical debut Year Of Hibernation and then backed it up with an equally whimsical sophomore effort Wondrous Bughouse. The Knower, taken from his forthcoming LP Savage Hills Ballroom, is no less fairytale-like but there's a little more clarity to his vocals and the instrumental is more immediate. For the first time he really gives us a face. Rather than hiding behind the music, he drives it.

Leisure Suite
Sweet Gin

Leisure Suite are an electro-pop duo from Melbourne and Sweet Gin is the first track following their beautiful self-titled EP. Sweet Gin is an after-dark track with strong seductive vibes. There's a certain jazz quality to the vocals like Ella Fitzgerald picked up a synth and started listening to Ashanti. On a cold day like this it's just the warm hug we needed.

[soundcloud width="750" height="200"]https://soundcloud.com/leisure-suite-aus/sweet-gin[/soundcloud]

Tame Impala
The Less I Know The Better

Choosing just one track from the new Tame Impala record is a little like choosing your favourite kid. For now, The Less I Know The Better is our favourite. But by the time I've finished writing this we probably will move onto something else. The Less I Know The Better is the track that best combines the murky haze of Lonerism with the new-found pop-melodies of Currents. Everything from the funky guitar riff to Parker's impeccable falsetto is perfect and it melts our hearts everytime.

Read: Our review of Currents

Cosmos MidnightKucka

Cosmo's Midnight Team Up With KUČKA On 'Walk With Me'

Image: Facebook

Image: Facebook

About a year ago Aussie duo Cosmo's Midnight remixed AlunaGeorge's Superstar and now it seems a bit of the British duo's sound has rubbed off on them. Their new track walk with me features the effortless vocal of A$AP Rocky-collaborator and all-round underground superstar KUČKA who sounds a little Aluna on this one while still adding in her own oddities. The boys lay down a crisp, clean production that bounces along with glee. The two acts are both set to play Astral People's OutsideIn festival in September so let's hope we see this one live.


Are You Ready for Porter Robinson’s "Worlds" Down Under?

Porter Robinson developed a live show in 2014 that shared the title of his breakthrough album also released that year. Worlds has been performed across numerous continents, and is touted as one of the best examples of live mixing coupled with some of the most insanely ethereal visuals going around. It has also been the centre of massive controversy, with Robinson cancelling several shows in Germany, France and Finland throughout 2014 based on the fact that the venue wouldn’t suit the gravity of the show. Although this caused uproar at the time, Porter's fan base remains intensely loyal, especially in anticipation of his tour to Australia later this year.

In 2013 the 22 year-old made the trip down under off the back of his hugely successful 2012 EP Spirfire, but performed as a DJ only. Last year he returned with Worlds, but to the dismay of his huge Aussie fan base his performances were limited to a few shows for EDM dance festival Stereosonic. This year he’s back; not only playing at Splendour In The Grass but bringing his much anticipated live show to a number of capital cities (supported by local boys Wave Racer and Cosmo’s Midnight), also in July.

You may have heard Worlds in its pure form as an audio journey, but you’ve never heard Porter Robinson like this before. Over the last few months a dude called VGD has got his hands on and uploaded numerous remixes of surprisingly accurate live versions of various songs from the show. The choons below will give you just a small taste of what to expect from Porter's live show. Enjoy, and prepare your bodies for Porter Robinson...

Porter Robinson's Worlds Tour Dates:  

Wed 22 July | Enmore Theatre, Sydney | Tickets

Thu 23 July | Forum, Melbourne | Tickets

Fri 24 July | Splendour in the Grass | SOLD OUT


Cosmo's Midnight on Facebook Stalking, Surfing & Telepathic Powers


Sydney-based twins and Ableton aficionados Cosmo and Patrick make up electronic duo, Cosmo's Midnight. Hailing from Sydney, the two have spent the past few years remixing and creating their unique, computer-generated music, as well as touring their set Australia-wide. We had a chat to half of the twosome, Patrick, ahead of their Beyond The Valley appearance next month.

How did you come up with that name? Why does Patrick get left out?

Haha! My brother Cosmo wrote a remix for Lykke Li/ or did a bootleg of Lykke Li and finished it at Midnight. We didn’t have a name to put on Soundcloud so we were like, well you did it at Midnight so we will just call it Cosmo’s Midnight Mix because it was heaps literal… and then basically everything we did after that we were just like, well let’s just call it Cosmo’s Midnight because we don’t have a name and it sounds kind of cool I guess. I don’t think Pat’s Midnight would sound very good, so I’m glad it’s not.

As a duo, how do you work together?

Well the way we do stuff is that one of us will have an idea then we sort of just pass it between us until it’s done or we’ll sit down and just finish a track.

Where do you guys mostly produce your music?

We have a studio in the city and we will go there if we want to finish stuff, but most of the time we just write stuff at home. It’s just the nature of music, you don’t really need to be anywhere, you can just sort of be at home. We sort of just created this studio to get in the zone or whatever, to knuckle down and just finish it.

[soundcloud width="750" height="250"]https://soundcloud.com/cosmosmidnight/goodnight-feat-polographia[/soundcloud]

I saw Stoli Vodka posted a video on YouTube of a challenge for you guys to create a mix in one hour. Do you find working under pressure sometimes works for the better?

Oh for sure! Most of the time I’d like to work at my own pace. But sometimes having a deadline for a remix or something forces you to get creative or at least get an idea out. I think that works a lot of the time. Sometimes when we have a deadline for a remix or something and they go, “hey we have a week and a half turn around for you, can you do it?”, we give it a shot. For the first week you just have your ideas and then all of a sudden you come up with something, because it just comes to you eventually, you are forced to think about it because you have that deadline.

I had a day off work yesterday to sit by Fitzroy Pool and listen to your EP Surge on repeat. Your tracks took my mind away from the 30 degree heat and into the depths of the ocean. Is the coastal landscape and chillwave style a big influence in your music?

I’d say indirectly a lot, but I don’t think about it too much when it comes to writing music. Cos and I have always been at the beach a bunch, we went to school at Bondi so we went to the beach after school everyday more or less and surfed. We don’t do that so much anymore because we don’t live on the Eastern Suburbs, which is where the beaches are at. We went to school there so it made sense to go but now we sort of go there when we can instead of everyday. It’s still awesome, I wouldn’t have it any other way.

What is the main program or technologies you use in your mixing?

Pretty much everyone who does music uses Ableton, that’s what we use. It is like any other DAW, I don’t know what it stands for, it’s like the net technical name for it, but yeah! We just write everything on that.

What is one Festival in the world you both want to play?

Hahah that’s a hard question. There is this real cool Scandinavian one called Roskilde, that looked pretty cool. There’s a bunch of cool ones in the UK. I want to suss the American ones out. I don’t know too much about what goes on in other countries to be honest, regarding festivals. There’s that one, Tomorrowland, I think I just want to go to experience just cause it looks so crazy.

How did your collaboration with Wild Eyed Boy for your new single, Snare come about?

We went to school together and both did music. He sung on our stuff before but never really as Wild Eyed Boy. He lived in London for a bit and then he came back and we wrote this track together and that was it. We were school friends and we knew he had talent to do it and he was more than willing to do it so that was cool.

[soundcloud width="750" height="250"]https://soundcloud.com/cosmosmidnight/cosmos-midnight-snare-feat-wild-eyed-boy[/soundcloud]

Is there an intention for you to get behind new artists such as Wild Eyed Boy who don’t have a big following to help build one for them through your own platform?

Me and Cos are massively supportive of smaller artists, we often post about them on our Twitter. We don’t usually do too much of that on our Facebook because you need to keep tabs on that. We post stuff on Soundcloud, to get people the attention they need. It’s really hard to start off, so it’s really good to try and give people a leg up. If you don’t give them plays but maybe give them an industry hook up or something to point them in the right direction, like a label, potential manager or blog interview or something like that. It’s good to help people out.

If you could jump on stage with any other artist playing Beyond The Valley who would it be?

We want to make a track with AlunaGeorge so that’s a given. Maybe Danny Brown to rap along to his track. I really love Sinjin Hawk one of the smaller bands on the bill. If he is playing the same day I will atleast be on the side of the stage to support.

Are you guys Glamping it up in a Tee-Pee or roughing it out in a tent?

I wish were staying in either of those but we are actually staying off-site which is a massive bummer I reckon. I think we are just staying in a hotel with Basenji. I am going to hopefully stay as long as I can at Beyond The Valley because we have to head back to Sydney the next day to play another show.


What do you think is more groundbreaking in the world of news- The fact that Frances Abbott got a Fashion scholarship for being Tony’s daughter or Kim Kadashian’s amazing ability to balance a champagne flute on her ass?

If Kim Kardashian’s photo is legit I am going to say that is more groundbreaking. Because it doesn’t look real, I call bullshit on that. But if it is I am pretty impressed. The whole picture looks like it’s photoshopped.

Have you guys ever pretended to be each other before on a date?

Not on a date, I can’t imagine how weird that would be. We have done it at school before. ‘Cause we are sort of better at doing different stuff so I took one of his tests and he did one of mine so that was cool. But yeah, I would be interested to see how the a date would go.

Do you guys have telepathic powers between one another?

I wish we did, that would be pretty cool. I guess from being around each other so much we can get a feeling of what the other person is thinking. I think that’s more of a familiarity thing than super powers which sucks but you know maybe one day it will just click and we’ll be like, oh we were missing out all along.

I’m your 1272nd instagram follower because I find your 23 posts hilarious. What will you post next?

I wish I was better at insta, I don’t really do it enough. Instagram is an artform, you’ve got to do it right. I guess it will come to me, it’s just like any other artistic inspiration.


Who was the last person you stalked on Facebook?

I don’t want to say I stalk lots of people but I do often look through, you know, to see what’s going on. Maybe with people I haven’t added yet just to suss what’s going on before I add.

I look forward to seeing you guys play at Beyond The Valley.

Cheers, yeah, should be great. We are going to drop a whole bunch of new stuff, we’ve got a really cool remix we did that we are going to hopefully have out by then.

You can catch Cosmo's Midnight at Beyond The Valley Festival. Tickets available here


First Impressions: Cosmo's Midnight, RL Grime, Major Lazer + More


First Impressions is an interns roundtable review of songs on their first (or second) listen. Each week we review six new songs from the past week, each giving them a score out of five and awarding our pick of the week. This week we're picking apart the new Major Lazer track with Ariana Grande, George Maple's newie, Mark Ronson's new Bruno Mars-featuring single + more. 

George Maple- Vacant Space

Sam: Talk Talk literally made George Maple the talk of the Australian music scene but Vacant Space has her well on the way to being one of the best female artists Australia has ever produced. There’s so much tension built up throughout with every throbbing beat and then she releases it with these instrument-free spaces. So finessed and so damn classy. 4.5 Sam’s Pick

Hannah M: I could listen to George Maple’s echoey voice all day and I'm obsessed with Talk Talk (my current favourite song). Vacant Space didn't garner the same instant love reaction. I found the drop into fast-paced clubbing territory a little incongruous and disjointed to listen to – it all gets a bit hectic. Before you call me a bore however, it’s definitely grown on me, significantly. 4

Bianca: This one George Maple track has seriously done it for me. Throbbing bass, undulated synths and that honey-smooth, seductive voice, all thrown into what sounds like the echoey expanse of a cathedral, combine to make a seriously affecting track. Do I dare call her the female Flume? Yeah, I do. But with an insanely incredible voice that Harley could never bring to the table. If there’s one word to describe this song, it would be sex. Excuse me while I go wipe my brow. 4.5 Bianca’s Pick

[soundcloud width="750" height="200"]https://soundcloud.com/george-maple/vacant-space[/soundcloud]

Wills- Going Through

Sam: I was really championing the RnB revival in the beginning but to be honest I’m getting a little bit over half-arsed, ‘cool’ attempts at the genre. That’s the very reason why I love this one. It’s not being subtle or holding back, it just goes for it both instrumentally and vocally. The drums crunch, shuddering through the melody and the vocal is forthright and confident. The dense production really makes it something special. 4

Hannah M: This chaotic mix of girly singsong vocals, sparkly RnB effects and deep, dub-step style bass had me intrigued. I wanted to keep listening to break it down and work it out. I think once familiar with how it goes, the song grows on you. 4

Bianca: This is a heavy-hitter. It's good to hear an RnB track that just gets straight to the point with a good melody, a great chorus and some thumping beats. 3.75

[soundcloud width="750" height="200"]https://soundcloud.com/willsslliw/wills-going-through-it[/soundcloud]

Mark Ronson- Uptown Funk (Feat. Bruno Mars)

Sam: After Mark Ronson started producing for Paul McCartney and the like I thought he’d lost it but the fact that he’s got a bonafide number one right here shows that he’s still got it. It’s taking definite cues from Chic’s Le Freak, but that’s fine because it’s so convincing. I hate to admit it but Mars is the perfect vocalist for it, giving a hearty performance. Meanwhile Ronson’s instrumental is such an acute throwback it’s hard not to get lost in the joy of the whole thing. I don’t want to love it and I’m sure I won’t after I inevitably hear it 600 times over the Summer, but right now it’s great.  4

Hannah M:  I only needed to listen to a few seconds of Uptown Funk to picture white suits, dark sunnies and palm trees in Miami. This whole track is totally cheesy, like Will Smith circa Bad Boys. In fact, this feels destined to be a movie theme song. The sax and the trumpets are fun and soulful though the overall effect is so typically Bruno Mars. Unlike Sam, unfortunately I struggled to hear Mark Ronson’s influence.  3

Bianca: Is it bad that I laughed at first listen to this song? I was almost swayed by the brass and dat funky bassline but the cheesy lyrics delivered by Bruno Mars’ over-enthusiasm are just way too much for me. Excuse me while I go listen to its far more superior predecessor, Walk The Dinosaur (now, that’s what I’m talkin’ ‘bout.) 2.5

RL Grime- Kingpin (Feat. Big Sean)

Sam: So by now, I think we’re all pretty well acquainted with the fact that RL Grime’s forthcoming record is heavy on the war themes. This again, sounds like a stampede of alarms and brutal percussion. It will be interesting to see whether Grime can keep this soundscape for the entirety of the record without it getting overwhelming. This on its own, with Big Sean’s abrasive rapping is pretty full on. 2.5

Hannah M: The pretense for this entire song is just a little rap cliche for me. The word ‘kingpin’ gets old pretty quickly, much less because Big Sean’s voice isn't exactly well tuned. In saying that, the actual rhythm isn’t bad. I'm a big fan of bass, and this is the kind of punchy beat that's nice and easy to cruise to. 3

Bianca: This does absolutely nothing for me. Big Sean’s whingeing is abrasive to my ears and doesn’t allow me to even consider the bassline. Which actually sounds quite enjoyable in every place other than the chorus. 2

[soundcloud width="750" height="200"]https://soundcloud.com/rlgrime/kingpin[/soundcloud]

Cosmo’s Midnight- Snare (Feat. Wild Eyed Boy)

Sam: This is the sort of song that’s either going to float straight over your head or pull at a heart-string. It’s definitely tugging at something for me and it comes down to the way the vocals are so restrained and relaxed, but also deliver a honey-soaked melody. Cosmo’s Midnight’s brilliance in this is that you barely notice they’re there. Their instrumental is simply a vessel for Wild Eyed Boy to work his vocal magic. 3.5

Hannah M: This was a definite heart-string tugger for me. Love Cosmo’s Midnight, love this track. Wild Eyed Boy’s ethereal voice combines with subtly layered drum and synth beats to create a cozy feel. Major attention to detail has been paid to composition here. 4 Hannah M’s Pick

Bianca: This is definitely a different sound coming from the boys. Wild Eyed Boy’s vocals have encouraged Cosmo’s Midnight to take down the synth-work a touch and it’s really working in their favour. Not that I don’t enjoy the jittery, squeaky beats they usually offer, but in this circumstance, the subtlety really triumphs. The hints of steel drum synths also is perfection. 3.75

[soundcloud width="750" height="200"]https://soundcloud.com/cosmosmidnight/cosmos-midnight-snare-feat-wild-eyed-boy[/soundcloud]

Major Lazer- All My Love (Feat. Ariana Grande)

Sam: The Hunger Games soundtrack is just the gift that keeps on giving. I can’t help but think that this one was thrown together pretty quickly just because they knew Grande x Major Lazer would be good even if it was an Enya cover. And they were right in thinking that. All My Love is good. Grande delivers her standard trilling and Major Lazer give her a tribal beat to work with. It’s all very hard to dislike but after hearing what she did with Zedd, surely they could’ve aimed a little bigger, particularly for the chorus. 3

Hannah M: This song sounds like Ariana Grande feat. Major Lazer, not the other way around. Her voice totally dominates, and though I’m not a fan of her pop princess persona, there’s no denying that the girl can sing. I love the tribal bass during the verses but am not such a fan of the chorus – plucked straight from the Mockingjay soundtrack, the screechy, high-pitched effect sounds like an annoying bird. 3

Bianca: Ariana’s chirruping voice usually pains me to tears but, in this circumstance, Major Lazer has been her saving grace. The melody does a fine job of matching her usual screech, with the tribal bass line taking it straight to the depths of the jungle. 3.75



10 Songs You Need To Hear This Week: Major Lazer, George Maple + Cosmo's Midnight


This week, Kim Kardashian exposed her body all to #breaktheinternet. People say that sometime it's harder to bare your true feelings and opinions than stand naked. In the interest of that, we’re going to show true bravery and give you our 100% honest opinion on what the best songs of the week were. Here’s hoping we #breaktheinternet.

Jessie Ware- Keep On Lying (TOKiMONSTA Remix)

There’s been about 53 remixes of Keep On Lying released this week thanks to Red Bull Studios who had artists from Pional to Nina Kraviz remixing the song. This one by TOKiMONSTA is our favourite one though. It’s a bubbling masterpiece that chops and changes tempo and switches between Ware’s original vocal and vocally manipulated samples. The song is great on Tough Love, but this breathes new life into it.

Blende- Running (Feat. Gustaph)

We already know the Swedes know how to craft a melody or two and this track by London-based Swede, Blende proves that fact once again. He’s recruited the vocals of Gustaph from Hercules & Love Affair for a funky number that glitters like a Donna Summer cut. It’s crisp, electro-funk that is just calling for some bouncing dance moves.

[soundcloud width="750" height="200"]https://soundcloud.com/eskimorecordings/blende-feat-gustaph-running-4[/soundcloud]

TĀLĀ - Unfinished Business

It’s true, TĀLĀ had unfinished business and by that we mean she was yet to drop the final track from her Alchemy EP. That track is infact aptly titled Unfinished Business and is another tightly-produced, innovative track. It sees TĀLĀ dabble in drum n’ bass influences with her voice hovering above in a haze of reverb. TĀLĀ’s expertise is in crafting songs with lots of noise but a killer melody at its heart. That’s the stuff you can really sink your teeth into.

[soundcloud width="750" height="200"]https://soundcloud.com/talaofficial/unfinishedbusiness?in=talaofficial/sets/alchemyep[/soundcloud]

George Maple- Vacant Space

Talk Talk was enough to stamp Aussie vocalist George Maple as one to watch but her latest, Vacant Space launches her to the stratosphere. Seducing with those dusky vocals, she ushers in a stomping dance beat that bubbles under for the entirety. Behind it, she whispers and hushes creating this dim-lit atmosphere that’s warm and encompassing. We can’t remember a song that was this good by an Australian female vocalist in a very long time.

[soundcloud width="750" height="200"]https://soundcloud.com/george-maple/vacant-space[/soundcloud]

Major Lazer – “All My Love” (Feat. Ariana Grande)

We’ve never seen Hunger Games but we’re taking an unusually active interest in the latest film thanks to the Lorde-curated soundtrack. The latest track to drop off it features 2014’s queen of pop teaming up with Major Lazer for an absolute stomper. It’s one of the less-manic creations from Major Lazer, with Grande’s pop voice and melody taking total control. We weren’t aware that there was a dancehall scene but we’re so up for dutty dancing in the cinema.

Jones- You

London newcomer Jones dropped her debut track, Deep, last month and immediately drew comparisons to Solange but it seems on her latest track, You, she’s setting out to dispel that. Produced by A.K. Paul (who should probably not be referred to alongside his brother any longer), the track is an innovative, industrial RnB track that sees her really go for it vocally. It doesn’t have the immediate appeal of You but its longevity will surely be greater.

Cosmo’s Midnight - Snare (Feat. Wild Eyed Boy)

We’ve been waiting for a minute for a new track by Sydney duo, Cosmo’s Midnight, but finally we’ve got something new from them. Snare is the new track in question and it’s a cruisy track that’s caught up in the clouds. It’s one of those slow-burners that just hovers in your head, slowly working its way into your psyche. Keep them coming, Cosmo’s Midnight, don’t leave us hanging so long.

[soundcloud width="750" height="200"]https://soundcloud.com/cosmosmidnight/cosmos-midnight-snare-feat-wild-eyed-boy[/soundcloud]

Chiefs & Nick Acquroff- Inside Out

In terms of new Australian music, this cut by Aussie producer Chiefs and Sons et al vocalist Nick Acquroff would have to be our pick this week. With the same kind of chemistry that Flume and Chet Faker fell upon, the pair have turned out a dense, melodically-sound track that peaks and troughs perfectly, both vocally and instrumentally. Inside Out is from a forthcoming EP that’s out next Friday, thank goodness.

[soundcloud width="750" height="200"]https://soundcloud.com/die-high/chiefs-nick-acquroff-inside-out[/soundcloud]

Wills- Going Through It

These days electronic-RnB floods our inbox everyday. It’s hard to find one that really stands out but when it does it’s a goosebump moment. Going Through It by enigmatic Bronx artist Wills, gives us that exact moment. It’s a confident, accentuated tracks that delivers a startlingly aggressive alongside silky smooth vocals. This is perhaps what Frank Ocean would sound like if he wasn’t a dedicated minimalist.

[soundcloud width="750" height="200"]https://soundcloud.com/willsslliw/wills-going-through-it[/soundcloud] 

Years & Years- Memo

God damn the vocals of Years & Years just get us everytime. Memo is the b-side to their latest single Desire and it’s a slow-burning stunner. It’s good to hear the group stripped-back and really testing out those vocal chops. Splendour In The Grass should take note and book these guys know, it’ll be one of the most sure-fire bookings of the week.

[soundcloud width="750" height="200"]https://soundcloud.com/yearsandyears/years-years-memo[/soundcloud]