It may seem hard to picture in Australia but the Australian invasion in America right now is fiercer than ever. This month already, Iggy Azalea has entered the top 10 on the US charts, Courtney Barnett has played Jimmy Fallon and boy band Five Seconds of Summer have stormed the charts with their debut single. In addition to that, Elizabeth Rose, Flume, Jagwar Ma, The Preatures and Anna Lunoe have been touring the country, impressing widespread crowds.
Big Scary are currently touring the country with Indie-Electronic artist Say Hi, contributing to the mass attention directed at musicians downunder. The Melbourne pair consisting of Tom and Joe have moved from LA to New York where they played two shows.
They’re signed to Barsuk records which is the home of artists like Death Cab For Cutie and Phantogram and have just released their sophomore album Not Art in America.
Tom spoke to us from a van touring from New York to Philadelphia. Despite being plagued by terrible weather and a minor car accident, he managed to chat us through the overseas tour, hip-hop and re-designing the live shows with a smaller band.
the(in)terns: How did the show go in New York?
Tom: It was awesome actually, really good. It’s just a really cool venue with a lot of vibe and we felt really relaxed.
How have the shows been going in the US overall?
Generally really good. I think we’re a bit surprised at how well we’ve been doing but more in our own capacity as performers. I thought I would’ve got sick and lost my voice but I’m still hanging in there. I think we’re happy about that and we definitely haven’t had any train wreck shows. Some have been better than others, but it’s been really good so far.
Is it odd going through the whole album release again overseas?
It kind of is. It’s not odd it’s more, we know the songs so well. So it’s different like that. When we were touring with them back home in Australia they were kind of fresh and new to us so there was a nervousness about playing them along with the excitement of doing something new. Now, we have performed them plenty but we also don’t have that nervousness like “am I going to remember what to play in this part” or “what happens here or there”. It’s more relaxing and we can concentrate on the performance on the night which has been really cool.