fbpx

10 Songs You Need To Hear This Week: Kendrick Lamar, Hudson Mohawke, Florence + The Machine And More

Written By Sam Murphy on 05/22/2015

10Songs_22May

If you needed any more proof that 2015 is a massive year for music then this week was just that. We had blockbuster video premieres, huge tracks leak by the dozen and many drop more tracks of some of the year’s most anticipated albums. Here’s another jam-packed 10 Songs You Need To Hear This Week.

Hudson Mohawke
Indian Steps (Feat. Antony Hegarty) & Scud Books

We’re just patiently hanging out for HudMo‘s Lanterns but he’s not making it easier because every time he releases a new track it’s better than the last. Today, we have two new tracks from the producer. The first, Scud Books, is trademark HudMo with brassy synths and crushing bass. Indian Steps, however, is a slightly different sound than we’re used to. It features Antony and the Johnson’s’ Antony Hegarty. It’s a melancholic, emotional track that flourishes into a battlefield of bursting beats and swelling instrumentation.

Jamie xx
I Know There’s Gonna Be (Good Times) (Feat. Young Thug and Popcaan)

This was also in 10 Songs last week but this version is the proper album version featuring Popcaan. Instrumentally there’s not a lot of difference but vocally now we have Popcaan interjecting Young Thug on the verses. That sample still sounds as triumphant as last week and the steel drums are euphoric as ever. Jamie xx told Pitchfork this week, “You can make it [the steel drum] sound quite melancholy but at the same time it reminds me of paradise.” That’s certainly the most apt way to describe this song.

Nina Las Vegas & Swick
Birthday

Nina Las Vegas and Swick dropped their second EP Cool Sports this week via Fool’s Gold records. All three songs are excellent but Birthday is the one that has really stuck with us. It bursts colour with through these abrasive, blood-rushing synths that sit alongside candy-coated beats. The vocal sample holds the same kind of monotone excitement that Hannah Diamond has become so known for, using the instrumental to really build its personality. Hold on for the last minute when things really get down and dirty.

[soundcloud width=”750″ height=”200″]https://soundcloud.com/foolsgoldrecs/nina-las-vegas-swick-birthday[/soundcloud]

Kwamie Liv
Higher

We raved a about Danish newcomer Kwamie Liv last year but then she disappeared off the radar. This week, however, she re-emerged with this beautiful cut Higher. It’s built off lushes synths that allow Liv’s vocal to just sink in. “I wanna trust you tonight, I’m sick and tired of running,” she sings with the utmost sincerity, creating this wonderfully warm atmosphere. Hopefully this is a sign of more things to come.

[soundcloud width=”750″ height=”200″]https://soundcloud.com/kwamieliv/higher-kwamieliv[/soundcloud]

A$AP Rocky
LSD

We’re just a fortnight away from hearing A$AP Rocky‘s new album A.L.L.A and so far he’s kept us on our toes about what to expect. LSD (Love x Sex x Dreams) is a hazy, spaced-out number that sees A$AP sing more than rap. It’s something completely different from him and proves once again that his versatility is one of his most impressive qualities. It changes tack towards the end and introduces back into A$AP-rap territory, complimenting that woozy, unfamiliar instrumental with something that feels much more familiar.

Antony & Cleopatra
Take Me

You may not have heard of Antony & Cleoptra but you would’ve definitely heard some of the work of Alex Burnett. Burnett has written and collaborated on tracks for George Maple, Hayden James and Flight Facilities but now he’s turning his attention to his own project. Take Me is a stellar track with its feat planted heavily in the British club scene. The vocals of Anita Blay howl through the track with an airy vitality while the instrumental echoes like steel coming together.

[soundcloud width=”750″ height=”200″]https://soundcloud.com/vitalic-noise/antony-cleopatra-take-me-1[/soundcloud]

Florence + The Machine
Delilah

So far all the tracks from How Big How Blue How Beautiful have shown a slightly more reserved side to Florence Welch but now we’ve got Delilah. Delilah is a classic Florence + The Machine track with bluesy undertones and a big, soaring chorus ready-made for Welch’s massive voice. The melodic detour at the end of the track is the cherry on the top, adding an extra bit of sweetness to what could’ve been a slightly overwhelming track. Our bodies are now ready for this album.

Charli XCX
Famous (Brenmar Remix)

Charli XCX‘s Famous is almost six months old now so it’s about time that it go a fresh-coat of paint. Jersey producer Brenmar is the best man for the job as he has a knack at taking already energetic songs and turning them up one more level. Brenmar centres the whole remix around Charli’s infectious hook using it to build the track up to a mighty drop complete with horn-synths. We’re big fans of Charli when she’s operating in the club-world so this remix is understandably up our alley.

[soundcloud width=”750″ height=”200″]https://soundcloud.com/charlixcx/charli-xcx-famous-brenmar-remix[/soundcloud]

Taylor Swift
Bad Blood (Feat. Kendrick Lamar)

We’ve seen Kendrick and Tay Tay go back and forth about how much they love each other and we knew that Kendrick was going to appear in the Bad Blood video but never could’ve we expected two verses on the radio edit. The track benefits from a beefed-up, hip-hop remix and while Kendrick’s verses are super impressive it’s Swift’s final chorus that brings it home with an effortless strength. This is a genius marketing tactic and is sure to breathe some new life into 1989. Somewhere Katy Perry is breaking her teeth on candy-canes working out how to one-up Taylor.

Nick Jonas
Chains (Feat. Stormzy)

If Kendrick Lamar and Taylor Swift was unexpected then this collaboration is basically unbelievable. Grime newcomer Stormzy has jumped on Nick JonasChains adding some distinctively British verses to the track alongside Jonas’ soulful verse. Speaking to Radio 1 the former Jonas Brother (meaning the band, not the family) said he was inspired by Kanye West’s performance at the Brits where he shared the stage with a number of big grime names. A weird collaboration, yes, but it actually works.