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First Impressions: Britney Spears, Unknown Mortal Orchestra, Lido + More

Written By the interns on 04/27/2015

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First Impressions is an interns roundtable review of songs on their first (or second) listen. Each week we review six new songs from the past week, each giving them a score out of five and awarding our pick of the week. This week we pick apart tracks by Britney Spears, Unknown Mortal Orchestra, Lido + More. 

Unknown Mortal Orchestra
Can’t Keep Checking My Phone

[soundcloud width=”750″ height=”200″]https://soundcloud.com/jagjaguwar/unknown-mortal-orchestra-cant-keep-checking-my-phone?in=the-in-terns/sets/10-songs-you-need-to-hear-10[/soundcloud]

Sam: I love that UMO have really expanded their sound. I loved II but at times it felt a little insular and restricted. Both this and Multi-Love have been a huge step forward and the album will most likely also continue this way. Can’t Keep Checking My Phone sounds like it would be right at home on a Blood Orange record – It’s got that minimal percussion loop with the funky guitars on top. As always though it’s the textured falsetto of Ruban Nielson that wins me over. 4

Bianca: The beginning transports me to a ‘70s crime detective TV show, which usually isn’t a good place to be, but in this circumstance sets the scene for a funky, hip-shaking, joyous tune. UMO keep offering multi-layered, instantaneously-enjoyable experiences and judging by Multi-Love and now Can’t Keep Checking My Phone, no detective work is required to realise that their upcoming album is going to deliver the goods. 4.5 Bianca’s Pick 

Zanda: So much to unpack here that it’s hard to know where to start. The catchy vocal melodies are complimented superbly by that bass riff which sounds it has its origins in some seriously old school funk, and the sparing use of synth throughout is tasteful. The best aspect for me though, has to be that crazy percussion line; some sort of weird and wonderful mixture of clapping, sound effects, tambourine, and so much more. An absolute cracker. 4.5 Zanda’s Pick

Ta-Ku
Love Again

[soundcloud width=”750″ height=”200″]https://soundcloud.com/takugotbeats/love-again-feat-jmsn-sango?in=the-in-terns/sets/10-songs-you-need-to-hear-10[/soundcloud]

Sam: Ta-Ku has always had a few gospel flavours in his tracks but on this one he’s really gone all out and it works. JMSN’s vocal is an absolute killer throughout and Ta-Ku’s minimal production creates plenty of space for JMSN to work his magic. Personally, I would’ve enjoyed if Ta-Ku built the climax a little more, perhaps worked in some chords on an organ, Lido-style but there’s also a certain subtlety in not doing that which feels dignified. With or without, it’s a beautiful, flourishing production. 3

Bianca: *prayer hands emoji* The choir, combined with the piano and strings appearances, gives Love Again a gospel quality without being garish and over-the-top. The instrumental outro really makes it for me; the thumping kicks giving a taste of what was possibly missing from the rest of the song. Reading through Soundcloud, I found the comment: “This is cool just sent it to my ex who I miss alot (sic)”. Usually I wouldn’t recommend that but maybe this track might just give him a shot at redemption. 3

Zanda: I find myself pondering how Ta-Ku hasn’t really skyrocketed in popularity in the last few years. I guess part of the charm of his music it’s exactly what he wants to make and doesn’t cater to the masses. This is an incredibly soulful tune featuring some incredible acapella-esque vocals. Tasteful production underpins it, and it’s the sort of minimal but necessary style of production that Ta-Ku is known for. 3.5

Major Lazer
Powerful (Feat. Ellie Goulding/Tarrus Riley)

Sam: I have to preface this with I am going to be bias because I love Ellie Goulding’s voice so much that I would bathe in even her weakest songs. It goes without saying that the my favourite parts of this track is Goulding’s verses. It’s nice to hear her over a reggae-styled beat rather than Calvin Harris’ usual onslaught of synths. For me, this sounds like Major Lazer really trying to slip into the mainstream. First there was the politeness of Lean On and now this and good on them for trying to get on radio while still maintaining their signature aesthetic. Powerful is their strongest to date and the star-power of Goulding along with Riley’s catchy chorus will serve them well. 3.5

Bianca: Gamble on Major Lazer and you’re sure to win. They always manage to make the featured artist shine (hell, they even made me like a song that features Ariana Grande) and this time round is no exception; Ellie’s voice is delightfully chirrupy as usual and Tarrus’ contribution balances it with a bit of grunt. It’s not the most complex of tracks but it is Powerful enough to make you sit up and listen. 3.5

Zanda: Diplo has come out recently and said that he is planning on doing less work as ‘Diplo’, and with a host of other projects under his direction including Major Lazer it’s not too hard to see why. With the recent release of Lean On, and now with this new track, it’s clear that the master producer and collaborator is taking this venture outside the realms of banging dance anthems exclusively and venturing into new areas. Ellie Goulding is typically and undoubtedly brilliant as usual. 3.5

Gosh Pith
Child

[soundcloud width=”750″ height=”200″]https://soundcloud.com/gosh-pith/child[/soundcloud]

Sam: After hearing so much clean electronic, RnB music in recent years I’m very into the idea of reverb-soaked melodies slipping back into fashion. Gosh Pith are just the start of what I think will be a very big movement of music that sounds like this. As always the original purveyor is the best and Child is excellent. It kind of doesn’t go anywhere but it has this subtle appeal which revolves around the soulful vocal. It’s a vocal that you wouldn’t expect to slot into an instrumental like this. At first I was expecting something more skewed towards Sleigh Bells but was pleasantly surprised. I’m charmed by this. 4

Bianca: Totally read their name as ‘Goth Pit’ at first glance so was expecting a very different song to come out of my headphones. Instead, I was pleasantly surprised to be serenaded by this lullaby-eque, ambling track. It’s subdued though still holds an unfinished grittiness that prevents it from being tedious. The vocal-run, “I said I got out of there sooner now” also shakes things up, almost tripping over itself and waking the track up from its cozy slumber. 4

Zanda: A very relaxed and guitar-riff happy tune from the Detroit-based group. I actually really enjoy the refreshing use of triple time in kind of a shuffle feel, as a nice break from all other music at the moment being in 4/4. Echoey vocals add to this relaxed feel… a great track for a chiller weekend. 3

Jeremih
Planes (Lido and The Social Experiment Remix)

[soundcloud width=”750″ height=”200″]https://soundcloud.com/chancetherapper/jeremih-planes-remix-lido-the-social-experiment[/soundcloud]

Sam: Another week, another Chance The Rapper feature or remix that isn’t actually a Chance The Rapper song 🙁 Based off this I would love to see Lido and The Social Experiment working together more often.

Lido’s instrumentals always oscillate between the minimal and the dense and Chance’s vocal always sounds best when it’s given plenty of space to exist in. Together it’s an interesting combination. Anyway, I’m not ignoring the fact that this is actually a Jeremih remix.

The original of Planes was good but this is just so much more interesting. In fact I actually completely forgot Planes existed until now. I have a feeling I won’t be forgetting this one though. 4

Bianca: This version makes for a much more exciting event in comparison to the original. You can immediately hear Lido’s contribution to the track, in all of its flickering, blossoming goodness. Chance’s appearance, with all his Willy Wonka references, is almost humorous and kinda strange, but after listening to it a couple of times I understand its necessity. 3.75 

Zanda: Jeremih and Chance The Rapper are typically smooth in this, but the real star for me is Lido and his unique style of production. He brings his own brand of melodic synths to everything he does, and this track has that typical Lido polish to it. He uses space and sparse textures to captivate his audience and leave you wondering what’s coming next after moments of almost complete silence. 4

Giorgio Moroder 
Tom’s Diner (Feat. Britney Spears)

Sam: I actually think Britney Spears can be really brilliant when she strays away from regular pop. There was a song on her Circus record called Unusual You which I still listen to know because it was so irregular for her but also had some really interesting production on her voice. Tom’s Diner sounds nothing like that but it does go with something more interesting than your regular Britney. The production here brings out the best in her usually paper-thin voice.

The whole idea of Giorgio Moroder and Britney Spears doing a Suzanne Vega cover is utterly ridiculous but for some equally ridiculous reason it works. The Sia song was just way too cheesy. This one is cheesy but it’s also got a sleek quality in the way it carefully treads between disco and the club. Who would have thought that a 70-something year-old could bring out the best in Brit. I can’t get enough of this. Ditch Iggy Azalea and create a whole album with Moroder please Britney. 4.5 Sam’s Pick

Bianca: This track oscillates delightfully between ‘lol’ and head bopping acceptance. At first listen, the ‘doo doo’ intro was almost laughable, but soon Giorgio’s brilliant production shined through and Britney-fuelled nostalgia took over, making me kinda…like it. The lyrics are so damn literal, by no fault of Britney or Giorgio, but I suppose that adds to its charm. It’s all very odd that this was the song of choice for their collaboration but I’m glad they did it. 

Zanda: It’s weird how Giorgio Moroder’s work as part of Daft Punk’s latest LP seems to have thrust him back into the spotlight, or at least reclaimed the attention of popular music’s biggest stars. This track doesn’t do much for me to be honest, although the production value is undoubtedly high. I can’t quite pinpoint what aspects of it I don’t particularly like, maybe if Britney attempted less pronounced humming and there was more actual lyrical material. 1.5

Now time for your vote: 

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If you feel the need to abuse us for our opinions, you can reach some of this week’s writers below:

Content Director: Sam
Managing Director: Bianca
Contributor: Zanda