A few weeks ago Kimbra took to David Letterman to perform one of the most divisive tracks of the year, 90s Music. Obviously completely un-expecting of what he had just witnessed, Letterman and the audience were rendered speechless. The track seemed to take on a different life and that’s because Kimbra is an untamed beast when live.
The Kiwi singer took to the stage in Sydney with the same kind of reckless abandon that she’d brought to the Letterman stage. Dressed in an aluminium, Bjork-flavoured outfit with legs for days, she left everything she had on the stage. Beginning with the opener of the fantastic The Golden Echo, Teen Heat, she bolstered the chorus with denser instrumentation and wild, erratic dance moves.
From there, she set about using every bit of energy in her petite body, covering every inch of the stage, sweat often dripping from her brow. 90s Music sounded like an opus of exploding sound. She brought the same vibe as a mosh-ready rock show only sweetening it with the epic chorus – a gushing, melodic stroke of genius.
The whole of The Golden Echo, sounded like an album designed to be enjoyed in the live arena. All its oddities made sense when delivered by an equally eclectic Kimbra, who inhabited each song. Miracle was easily the most joyous moment of the night while Goldmine‘s crunching percussion pulsated on the chest.
Her development as an artist was obvious as she mixed old favourites in with the new. In fact Cameo Lover, once her golden moment, sounding limp in comparison to the new tunes. Settle Down, however, sounded as impressive as ever with Kimbra commanding the rhythm with her gently undulating hands.
As Kimbra farewell end with a beefed-up version of Come Into My Head, she left the stage, sweaty and surely exhausted. She clearly loves what she does and as such it’s impossible to watch on in disdain. In terms of vocals, body movement and charm, she left no corner unexplored.